I figure you'd agree, different rather than better.
Whether emotional outburst or display, angst driven on the beat or balladic soliloquy, romantic confusion or exhilarition, the drunk, sober, manipulating(J or K Pop dont have a monpoly but certainly are good at that game), emotive semaphore we rhythmize and melodize, or perhaps otherwise(hats off to P Boulez, maestro of the ever new, and B Eno, master of the ambient), flag to each other, represents a previewed Reqium beyond the conventional, a tablature beyond synthesis, because it is us. (Like 9's aura technology)
Here's a few I never seem to replace on my play list
Mon Satie: Lent et douloureux (R Spasovski)
Concierto de Aranjuez: Rodrigo, Adagio (L Coryell)
and Beethoven's Piano composition 14, Adagio C# minor(Dubravka Tomsic)